pdn Photoplus Expo comes to NYC - Oct. 30 to Nov. 1, 2014

The annual Photoplus International Conference and Expo is coming to the Jacob Javits Convention Center in New York City from October 29th to November 1st!  If you are in the New York City area, I would recommend stopping by to check it out.  Access to the Expo is free as long as you register before October 28, 2014.  Here is a link to the Photoplus website:

pdn Photoplus International Conference + Expo

There are also a variety of other paid options where you can attend:  seminars, classes, keynote presentations, networking events, etc.  At the link below, you will find the various pricing options:

2014 Registration Pricing

I have been attending the expo for the past few years and have always really enjoyed it.  It is a great place to see all kinds of new gear, software, products, etc. as well as talk with others who are in the industry.  You can tryout equipment, listen to free talks on the expo floor, check out printers, paper types, lighting setups, bags, tripods, and much more.  So if you are in the area while the expo is in NYC, stop by and check it out! 

Lightroom Quick Tip - Adding Keywords

Adding keywords to your photographs is easy and allows you to search for specific photographs within your Lightroom catalog.  The more keywords you use that are specific to that image, the better the chance you have of finding that image in the future if you need it.  Everyone has great images, but if you can’t find them, it doesn’t do you any good. 

In this quick tutorial, I’ll show you how to add keywords to your images that are already in your Lightroom catalog.

If you have any questions, please leave a comment below!  Be sure to check out the rest of my YouTube channel.  If there is anything you would like to learn in a future tutorial, please leave it in a comment below.

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Thanks for watching!

Lightroom Quick Tip - Star Ratings & Pick Flags

We all face the challenge of sorting through our images to find the keepers, the throwaways, and the best of the best.  Personally I use both star ratings and ‘pick’ flags to sort my images.  This tutorial is a quick tip on how to speed up your workflow when rating and picking images.  You might only save a small amount of time for each image you review, but over several hundred or several thousand images, the time will add up. 

Whenever possible, it helps to have Lightroom do the work for you.  In this case, we will make Lightroom auto advance to the next image after we apply the star rating or flag the image as a pick.  The first thing I do is to place all of my unrated images into one collection or folder.  While in the Library module, I make the first image full screen within Lightroom (or complete full screen by pressing the ‘F’ key in Lightroom 5).  This will allow you to see the image at a large size so you can make a good decision as to how you want to rate the image.  Next, make sure the caps lock is turned on.  By turning on the caps lock, Lightroom knows that it should automatically advance to the next image any time a rating is applied to the current image.  Once caps lock is on, use the number keys 1 through 5 to rate the images or press ‘P’ to flag the image as a pick. 

I rate all of my images with stars to help keep track of the quality of my images.  There is no right or wrong way to do it here, you need to find out what works for you.  Here is my rating system:

1 star = picture is no good, trash

2 stars = not usable other than for some kind of abstract background, image not in focus

3 stars = image in focus, but nothing special, more of a snapshot, sometimes deliverable depending on client and intent of photographs

4 stars = image in focus, good composition, interesting etc., deliverable image

5 stars = fantastic image, one of my favorites, deliverable image

I use a ‘Pick’ flag for all images that I want to deliver to a client, print, post on my website or blog, etc. 

After you initially review your images and rate them, it’s a good idea to revisit the images after a few days to see if you have changed your mind on any of the ratings you choose.  This can be a quick look through all of the images again.  You may see the hidden potential in an image that you did not notice the first time you reviewed the image.

Turning on the caps lock allows Lightroom to auto advance to the next image which will save you time and energy when reviewing your photographs.  By using a streamlined review process for your images, you will become more efficient in post processing as well as be able to spend more time working on the best images from your photoshoot.

If you have any questions, please leave a comment below!  Be sure to check out the rest of my YouTube channel.  

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Thanks for watching!

How to Make a Bad Image Look Awesome

How many times have you looked at an image you took and thought it was no good?  By capturing your photos in RAW format, it is possible to recover your photo using Adobe Lightroom and turn it into something awesome. 

At first glance, I figured this file was no good.  I started playing with it just to see what I could get out of it.  It’s not as hard as you might think to bring back images that appear to be no good.  I think the results that came out of this photo are great. 

Remember that your camera can’t always capture what you envision in your mind when you take the photograph.  The post processing you can do to an image plays a big part in the creative process and helps your image to reach the potential you have pictured in your mind. 

If you have any questions, please leave a comment below!  Be sure to check out the rest of my YouTube channel. 

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Thanks for watching!

Photoshop: How to use Layer Masks

Confused about layer masks in Adobe Photoshop?  When I first got started in Photoshop, I didn’t understand layer masks, how they worked, and how to use them.  In this tutorial, I’ll explain what a layer mask is, what it does and how it works.  With a little practice, you can become an expert in using layer masks. 

If you have any questions, please leave a comment below!  Be sure to check out the rest of my YouTube Channel and subscribe if you enjoy the videos and are learning something!

Thanks for watching!

Retouching Eyes - Part 3

This is Part 3 in a series of eye retouching tutorials. Using Photoshop, I'll show you another technique that can be used to enhance eyes in a photograph. For Retouching Eyes - Part 1 click HERE and for Part 2 click HERE.  If you have any questions please leave a comment below.  If you enjoy my youtube videos, consider subscribing.  Thank you!

Twilight Sky - Before/After

Have you ever seen the sky have brilliant blues, purples, pinks, oranges and reds?  Many times when we try to photograph these beautiful skies, the camera does not capture the colors as vividly as we see them with our own eyes.  In this tutorial using Adobe Lightroom, I’ll show you how you can bring out the amazing colors that you know were there.  Having your camera set to save images in RAW format instead of JPG will help preserve the colors and detail that you will be able to enhance in Lightroom.

One thing to note here is that these settings are what worked for this image and what I thought looked best.  When I took the photograph I had an idea in my mind what I wanted the final result to be.  The key thing to remember here is that you need to experiment with the sliders and settings to find what you like and what works for your image.  With this in mind, lets get started!

Step 1

The first thing to do with this image is to drop the temperature and raise the tint.  This will help make the blue look more blue and the hint of pink look more pink.

Step 2

Increase the exposure to .75 and the contrast to 75.  I want the trees to be a black silhouette against the gradient in the sky.

Step 3

Basic Panel Settings

Adjust the Highlights, Shadows, Whites, and Blacks.  The image to the right shows the settings I used.  These settings will vary based on your image and the effect your going for.

Step 4

Increase Clarity.  I like to use Clarity on landscape shots.  I think it helps bring out details and increase the contrast a bit.  Be sure not to over do it with the clarity, unless of course that is the look you’re going for.   Increase the saturation.  I typically use vibrance when there are people in the image and saturation for landscape images. 

Step 5

Under ToneCurve I changed the curve to a medium contrast.  I want to make sure the trees are black against the sky.

Step 6

In the HSL panel, I used the target adjustment tool to modify the saturation of the purples.  This enhances the pink and purple colors of the sky.

Step 7

Add sharpening.  The sharpening settings I used are Amount: 86, Radius: 1.4, Detail: 52, and Masking: 64.  Adjust the masking as you need.  If you hold down the Opt. or Alt. key while clicking on the masking slider, you will see a preview of the areas that are being sharpened in white. 

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Hold Opt. or Alt. while adjusting the Masking slider to see the areas that will be sharpened in white.

Step 8

Under Lens Corrections, I chose Remove Chromatic Aberrations to take care of some purple fringing around the trees.

Step 9

Add a Post-Crop Vignette.  I used an amount of 38 and changed the feather to 100.

The image is complete!  To see a before/after of your image, make sure you are in the Develop Module in Lightroom and press the ‘\’ key.  This will toggle between before and after images. 

If you have any questions or would like to learn other techniques in Lightroom, please leave a comment below.  Thanks for watching and reading this tutorial!

Before Image (left) and After Image (right).

Before/After - Dandelion in a Bubble

In this tutorial I’ll show you my post processing workflow for this dandelion in a bubble image.   I used Adobe Lightroom and Perfect Effects 8 for the post processing of this image.  In my opinion Perfect Effects is a great tool to use in combination with Lightroom. 

The image was taken with my Canon 60D using the 18-135 f3.5-5.6 IS lens at 120mm.  Camera settings in manual mode were, 1/250 sec at f8.0, ISO 400.  It was a cloudy overcast morning which created a nice diffuse light.

Step 1

Bring the image into Adobe Lightroom.

Step 2

Step 2 - Basic Panel Settings In Lightroom

Make some global adjustments in Lightroom.  Here I adjusted the exposure, highlights, shadows, whites and blacks.  I did not modify the contrast because I knew I wanted to use the dynamic contrast filter in Perfect Effects.  With these adjustments complete, I brought the image over into Perfect Effects by going to File – Plug-in Extras – Perfect Effects 8.

Step 3

Step 3 - Dynamic Contrast settings in Perfect Effects

Once the image is in Perfect Effects I started adding Filter Layers.  First, I added a Dynamic Contrast - Natural layer.  Under the Filter Options and Detail, I adjusted the settings as follows: Small = 30, Medium = 20, Large = 0.

Step 4

Add a new layer to the Filter Stack.  Choose Color Enhancer – Green Enhancer.  Using the mask tool, place a mask on top of the yellow dandelion so the effect is not applied to the flower.  The green is now a little to much, so reduce the layer opacity to 50%.

Step 5

Add a new layer to the Filter Stack.  Choose Sunshine – Glow.  Reduce the layer opacity to 20%.  Copy the layer mask from the previous ‘Color Enhancer’  layer by using Ctrl + click to drag the mask to the current layer. 

Step 6

Add a new layer to the Filter Stack.  Choose Sharpening – Amazing Detail Finder.      Using the masking bush, mask out the background and foreground of the image.  To see where you are masking, press Ctrl + M.  Since these areas are out of focus to begin with, they do not need to be sharpened. 

Step 7

Add a new layer to the Filter Stack.  Choose Vignette – Big Softy.  Reduce the layer opacity to 65%.

Step 8

Click Apply to apply the filters and bring the image back into Lightroom.

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Thanks for watching!  

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Final Image

How to Enlarge a Low-Res Image for Print

Has there ever been a time when you had a low resolution image you want to print?  Maybe a screenshot of something or an image where the quality just wasn't there?  In this tutorial I'll show you one way you can modify an image and enlarge it to be printed as an 8x10.  It only takes a few minutes and a couple of steps.  One quick note, I did not create the original image used in this tutorial - I'm not sure who did, but I have seen the image used in various places on the web.

Video Summary

This particular image was at a resolution of 72 ppi and approximately 5.5" x 6.5".  Our goal was to modify this image so it could be printed as an 8x10.   When preparing images for print, it’s important to keep in mind that your file resolution should be a minimum of 240 ppi to get a high quality print.  In this case I wanted to use 300 ppi. 

Step 1

Open image.  Unlock background layer by double clicking on the LOCK icon on the layer.  Resize the image by going to Image >Image Size. Then change the resolution to 300.  Click OK

Step 2

Change canvas size to 8x10 by going to Image > Canvas Size.  Use 8 for the width and 10 for the height.  Click OK.

Step 3

Using Free Transform (cmd + T), resize the image so it is as large as it can be without cutting off any of the edges.  Notice we have a small area on the bottom and side that we will need to fill in.

Step 4

Extract the text.  Select the Magic Wand tool.  Change sample size to 3 by 3, and tolarance to 12.  Select a black portion of the text.  Right click and select ‘Similar’.  If there are more pixels to be selected within the text, select Similar again.  Right click in the selection and select Make Work Path.  For the tolerance, use 2.0.  The text and graphics will be extracted as a path and can be found in the Paths panel.

Step 5

Blur the background layer to remove pixilation.  Go to Filter > Blur > Gaussian Blur.  Adjust the blur to your liking.  I used a 4 pixel blur.

Step 6

Fill in the missing areas on the bottom and right hand side.  Use the Marquee tool to select the blank areas.  Be sure to overlap the surrounding pixels so Photoshop knows what to fill the area in with.  After making the selection press Shift + Delete to bring up the Fill dialog box.  Choose Content-Aware and click OK.  Blend further if necessary.

Step 7

Add text back on top of image.  Create a new blank layer labeled Text.  Go into the Paths panel and highlight the work path that was created.  Right click and select Fill Path.  Use Black as the color for fill.

Step 8

Add stroke around text.  First setup your brush settings – use a hard edge brush and a width of 8 pixels in this case. Right click on the text Path again and select Stroke.  Use the Brush as the tool to stroke the path with.

Step 9

Increase Contrast.  Create a new curves adjustment layer.  Select preset called ‘Medium Contrast’. 

Step 10

Combine all layers and Sharpen.  Combine all layers using Shift + Option + CMD + E.  To sharpen the image go to Filter > Sharpen > Smart Sharpen.  Use an amount of 200 and leave the rest of the settings as they are.  You’re Done!

Step 11

Send out for print, the image is complete!  The image is now 8x10 with a resolution of 300 ppi and will make a great print.

Thank you for watching! 

Adobe Photoshop CC - Custom Trees using Pattern Fill

Adobe Photoshop CC has a way to create a wide variety of 3D trees and shrubs that can be inserted into your images!  This is an awesome new feature that is customizable and easy to use.  As a Landscape Architect, I frequently use Photoshop as a visualization tool to help clients see the potential of their outdoor space.  I have found that many clients cannot fully understand a design simply by looking at an overhead plan view of their site.  Great photographs of the existing site combined with Photoshop compositing really help to get the design idea and intent across to clients.

Accessing and using the custom 3D trees in Photoshop is simple.  First, open the image you will be working on.  Next, create a new blank layer above the background layer.  Make the new blank layer active.  To add a new 3D tree onto our blank layer we need to ‘Fill’ the layer by pressing Shift + Delete.  There are several options here on how we can Fill the layer.  In the Fill dialog box, under the Contents section, choose ‘Pattern’.  The Blending section can remain as is.  Toggle on (check mark) ‘Scripted Pattern’.  Then click the drop down menu next to the word ‘Scripts’, select Tree.

The ‘Tree Pattern’ dialog box will now appear and gives you various ways the tree can be can customized.  From changing the direction of the light so shadows match the image to reducing or removing the leaves on the tree, this dialog box is where you would make those changes.  When you have made the necessary changes, click ‘OK’.

The tree will then be rendered and placed on your blank layer.  From this point the tree can be scaled and moved around the image.  It’s important to make sure the tree is placed on it’s own layer so you have the option to change the size and positioning of it later on if you need to. 

While I think it’s still necessary to have a large library of plant material images for anything your composite might need, this feature in Adobe Photoshop CC is really great and will help speed up the time it takes to make composite landscape images.

One Way to Become a Better Photographer

Go out and take pictures!  That's right, the more you pick up your camera and go take pictures, the better a photographer you will become.  Like so many things in life, the art of photography requires practice.  There are many advantages to shooting more often.  Not only will you learn your camera better, you will also further develop your 'eye' for photographs.  Before you know it you will be 'seeing' photographs even when you don't have your camera with you.  Then again we all usually have our phones with us, so why not take the photograph you just saw with your phone?  Even on a rainy day like it was yesterday here in New Jersey, there's always something interesting to take pictures of.  Here is one of the shots I took today:  

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Canon 60D  1/160th at F8.0, ISO 800, 135mm

Here are a few things that you can look for and think about in your daily travels to help develop your photographic eye:

• Patterns
• Textures
• Lines
• Diagonals
• Shadows
• Highlights

• Filling the Frame
• Framing the Subject
• Forms
• Shapes
• Reflections
• Colors or Lack of Color

• Rule of Thirds
• Leading Lines
• Zoom in
• Zoom in some more!
• Go Wide Angle
• Shallow Depth of Field

The best way to learn is to get out there any practice.  Play around with settings, angles, motion and depth of field.  You never know what you might create!

Recent Projects - Photographing Joely Rae

Recently I had the opportunity to photograph Joely Rae who is about to turn one in May.  Joely is a sweet little girl who did an excellent job during our photoshoot!  I always enjoy photographing children because you never know what is going to happen.  Children also keep you on your toes.  Sometimes you get amazingly funny faces and other times you get tears.  Regardless of what happens, I'm there to capture moments from our time together and I enjoy every minute of it.  

Here are a few tips I find useful to keep in mind when photographing children.  

• Go with the flow!  With children being unpredictable at times, you never know what will happen.  Have a plan, but be ready to change directions at any moment.  
• Use a fast shutter speed.  You want to be sure to freeze the moment.  Some children are quite fast, so make sure you use a faster shutter speed.  Bump up you ISO if you need to.
• Focus on the eyes!  Yes, the eyes say it all.  When photographing people make sure the eyes are tack sharp
• Talk and work with the parents.  Set expectations so the parents know what you are thinking and how you plan to capture the images.  Ask the parents if they had any particular props they want to use or if they have seen photos somewhere else that they like.
• Have fun!

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Images shot with Canon 60D using the Canon 17mm - 55mm F2.8 USM and the Canon 50mm F1.4 USM

Here is some technical information about this shoot for those who are interested:  

• All of the images were taken with the Canon 60D using both the Canon 17mm - 55mm F2.8 USM and the Canon 50mm F1.4 USM.  
• Images were taken around 3:00 pm using available light.  There was a pretty good cloud cover with the sun only shining through occasionally.
• Images were brought into and developed in Adobe Lightroom.
• The composite image above was created in Adobe Photoshop CC.